John Ashbery, May 1973 — Ishmael Reed, October 1973 — Al Young, May 1974 — Diane di Prima, June 1974 — Lucia Berlin, February 1984 — Raúl Zurita and William Rowe, April 2009 — Akilah Oliver, February 2010 — Cecilia Vicuña, February 2012 — Fred Moten, November 2013 — Judy Grahn, February 2014 — Mei-mei Berssenbrugge, April 2014 — Erica Hunt and Marty Ehrlich, April 2014. Continue reading “Early and Late: “Unreleased” Poetry Center Videos On View at SFMOMA Open Space”
And yes, the image is degraded, though what is there (the poetry, the performance) comes thru. It’s curious, to me, how the degraded image isn’t just a “poor” image — I’m writing up now my remarks from the Oakland conference last October on a half dozen Poetry Center videos of Alice Notley: have to listen to what I said there and come up with some kind of transcription. There’s a poet’s measure of seeing video that’s very different from the consumer model of quality control, sharpness, fidelity.
—to Patrick Durgin, June 9, 2015, on a 1983 video recording of Hannah Weiner
A transcription of a talk at the “Alette in Oakland” celebration of Alice Notley and her work, held in late October 2014, sponsored by the Bay Area Public School, at Omni Oakland Commons. The proceedings of the three-day symposium will be published by Hearts Desire Press, who also brought out Notley’s book Manhattan Luck.